I imagine other artists, musicians, writers, and other creative minded people can relate to this. We tend to be overly sensitive people, which is necessary in creating any kid of art. This can be a blessing and a curse, because making art is an emotional roller coaster. This piece has been a classic example of that.
This is a painting that has literally been simmering on the back-burner of my mind for over a year. It was an idea that came to me in a flash when I was working on a batch of gelatin prints that are based on the same idea. In making the prints, I had been using dozens of small triangular pieces of paper as stencils. I fell in love with the wonderful array of accidental colors, textures, and patterns that formed when these little triangles were used to resist ink from the printing plate time and time again. I immediately knew then that I would save these little gems and use them someday in a mixed media painting bearing the same imagery. So it was with a great deal of excitement that I began the painting last month and finally opened the zip lock bag full of my cherished little triangle scraps.
However, life got busy, as it often does, and I had to put this project aside for a month or so. When I eagerly returned to the project, I was positively heart-broken to discover my precious little bag of triangles was nowhere to be found. I was so intensely disappointed. I had saved those little pearls for over a year, and now they were gone. For two weeks I prayed, asked my family to pray, and repeatedly tore my studio apart hoping to find them. I did my best to keep things in perspective. A grown man making getting overly upset about a small bag of colorful paper triangles is not a very Godly example. Eventually, I accepted that they were just gone for good. I returned to the studio and prayed one last time that God will help me remember where they were, or give me direction about what to do next. I felt like I should search one last time, and in so doing came across my rather large stack of "junk prints." These were prints that had for one reason or another failed, and yet, seemed useful enough to not throw away. (Classic artist pack-rat syndrome!) It was only when I held those failed images in my hand though that I realized I could use bits and pieces from them to make NEW triangles!
So that's just what I did. I sifted through my artistic trash and found a whole new collection of tiny gems, and honestly, I like these more then the ones I had so eagerly saved last year. And it is now, as I use them to create this painting, that I am overwhelmed by the symbolism God has incorporated into the work with these little pieces of paper. We are all like these little triangles. There are none of us that are special and set apart because of who we are, what we have, or what we look like. None of us are deserving of any special status or prestige over anyone else. In fact, that kind of thinking will only lead to one thing....being lost. Instead, God favors the humble. Those that have been forgotten, spoiled, ruined. He takes our failure and sees opportunity. He takes our trash, and uses it to make something beautiful.
I've been waiting for over a year to make this painting. It's my hope that tonight, Lord willing, I will finish it.
See the finished painting.
I'm back in the studio trying to crank out some new work to submit to an exhibit coming up at Warehouse 414 called "Bold & Bright." This mixed media painting, called "All Things New," is inspired by the descriptions of Heaven and promises of God given in Revelation 21. I'm painting on a pine block and incorporating a number of hand cut stencils from a series of gelatin prints, so the piece is heavily textured with layers of paper and paint. The due date to submit work is this Friday. Nothing like a deadline to motivate yourself! Lord willing, I will get this and at least one other new piece done in time.
I've started laying in some of the foundational layers for what will become a heavily collaged, mixed media painting. In addition to acrylic painting, I do quite a bit of monotype printmaking. Years ago my wife made the brilliant suggestion that I should combine those two disciplines. That idea has since given my work a much more visually rich and textured quality as I now will frequently paint, print, and collage various elements into a single work. This particular painting is basically a continuation piece from an edition of gelatin monotypes I made last year called "All Things New (Revelation 21:1-7)" The composition of this painting is effectively the same as in the monotypes, and in fact, will incorporate a good many of the hand cut stencils used in printmaking process.
While making the gelatin prints, I created both positive and negative stencils by cutting the various triangle shapes from a sheet of card stock. I made a few different negative stencils by cutting the shapes out of the card stock in the arrangement I wanted to use in the image. Thus, the sheet is filled with numerous triangle holes in formation. I was able to reuse one of these stencils to trace the various triangles onto the pine block I'm painting on. I also saved all of the triangles that were cut from the card stock. These were used as positive stencils by placing them directly onto the inked gelatin plate to resist ink from printing onto the paper. As these were repeatedly used, they began to build up unpredictable patterns of color and texture that were quite fascinating. I'm a huge fan of incorporating random and accidental elements into my art, and knew instantly that one day I'd use these in a painting of the same subject. This painting represents the start of that process as I am using matte medium to adhere these stencils onto the block.
The image is an attempt to suggest the glorious moment in which Jesus returns to fulfill his promise and make "all things new" (Rev. 21:5).
These little gems are hand cut stencils that I used in a edition of gelatin monotypes last year called "All Things New" that were inspired by Revelation 21:1-7. I fell in love with the wonderful array of accidental colors, textures, and patterns that formed when these were used to resist ink from the plate time and time again. I knew then that I would save these pearls, in fact I have a small ziplock full of them, and use them someday in a mixed media painting bearing the same imagery. So it is with a fair amount of excitement that I finally broke out that ziplock bag tonight and began to select some of my favorites! Stay tuned over the next few days for more progress shots.
The edition of gelatin prints are from my "Promises Series" which is a collection of artworks based on various promises made in the Bible. God intended us to spiritually cling to these promises to give us hope and help us overcome the struggles of living in a dark and sinful world.
Didn't get too far on this last night, but I did get started. This will become a mixed media painting inspired by Revelation 21. It will be compositionally very similar to a series of gelatin prints I did last year of the same title, "All Things New." As much as I enjoy printmaking, there are some ideas I feel like I haven't completely explored until I paint them. You can check out the series of gelatin prints and read about the inspiration behind them using the link in my bio.
Contemporary christian artist creating artwork inspired by faith in Jesus Christ and a belief in the Bible.